A raw clay quarry under a heavy sky

One quarry / One kiln / No repeats

From seamto flame

Body 01
North face
Iron / Quartz

Reduction
1280° C
Wood ash

Objects born from local earth and open flame.

LOAM CERAMICS begins at a small clay quarry cut into the northern ridge. The body is dug in short seasons, washed by hand and blended without industrial colour or uniformity.

Every wood firing is treated as a release. Ash, oxygen and flame pass differently around each object, leaving surfaces that cannot be repeated or fully designed in advance.

Wood-fired vessel resting on slabs of raw clay

Current firing

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Ash Vessel, Firing 07

Ash Vessel

Firing 07
One of one

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$420 USD

Ember Bowl, Firing 07

Ember Bowl

Firing 07
One of one

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$260 USD

Quarry Jar, Firing 06

Quarry Jar

Firing 06
One of one

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$380 USD

Flame Platter, Firing 06

Flame Platter

Firing 06
One of one

View object

$310 USD

The clay pit

The seam is opened with hand tools. Stones, roots and darker pockets stay visible long enough to tell us how the material was formed.

After rain, the clay rests in water, passes through a coarse screen and dries slowly on plaster. Enough character remains to make every wall and rim feel alive.

Hands gathering clay from the quarry wallLocal clay being washed and refinedA vessel being formed by handThe wood kiln during firing

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A wood kiln glowing during a long firing

Wood firing

The kiln is fed continuously for more than two days. Flame carries wood ash through the chamber, building natural glaze where it lands and exposing raw clay where it does not.

Inside the firing
The LOAM CERAMICS potter standing beside the wood kiln

The maker

The work is quiet and direct: gathering, preparing, forming and firing the same material within a few kilometres of where it was found.

Read the story
Hands shaping rough local clay
Close view of ash and flame markings on fired clay
A group of one-of-one wood-fired objects